![]() ![]() Schreiner (Springer, Berlin, Heidelberg, New York, 2008), Vol. in Physics, Lasers in the Conservation of Artworks, LACONA VI Proceedings, Vienna, Austria, Sept. Kowalczyk, Optica Applicata 36, 609 (2006) ![]() of Conservation Science 2007, Milan, 10–11th May 2007 (in press) in Physics, Lasers in the Conservation of Artworks, LACONA VI Procs., Vienna, Austria, Sept. Kowalczyk, In: Ars longa – vita brevis, Tradycyjne i nowoczesne metody badania dzieł sztuki Sesja naukowa poświvecona pamiveci prof. Symp., November 30–December 3, 2004, Boston, Mass. Mass, In: Materials Issues in Art and Archaeology VII: Materials Research Soc. Maier, In: Tradition and innovation: advances in conservation, Procs. Spoto, Modern Analytical Methods in Art and Archaeology (Wiley, Toronto, 2000)Ĭ. Van Grieken, Non-destructive Microanalysis of Cultural Heritage Materials (Elsevier, Amsterdam, 2004)Į. for Conservation of Historic and Artistic Works, Wooden Artifacts Group, 1996), pp. Martin, In: Postprints of the Wooden Artifacts Group (Amer. Butler, Polarized Light Microscopy in the Conservation of Painting (State Microscopical Society of Illinois, Chicago, 1970) McClure (The Hamilton Kerr Institute of the Fitzwilliam Museum, University of Cambridge, Cambridge, 1988), Vol. Groen, In: The First Ten Years: The Examination and Conservation of Paintings, 1977 to 1987, ed. It is preferable to paint in the early morning or at the end of the day so that the paint has time to dry properly.K. Similarly, avoid painting when it is too sunny. To avoid visible traces when drying, try to paint each side of the outside wall in one go. For an impeccable result, it is preferable to apply two coats of paint, while always respecting the drying time.Īlways work from top to bottom, covering areas of about 1m2, which you will overlap. Once the undercoat is completely dry, you can finally begin to work on the exterior paint. Use a brush to paint corners and areas not accessible with a roller. You will paint from top to bottom, applying the undercoat over the entire surface. To paint an exterior wall, it is best to use a roller. This will allow you to paint the exterior wall more quickly, preventing it from absorbing the layers of paint. Once your wall is perfectly prepared, you will be able to apply the undercoat primer. You can also put a tarpaulin on the floor to avoid dirtying the outside flooring or damaging the plants. So, think about protecting all the elements that should not be painted, such as windows or doors. ![]() Protecting the exterior: painting an exterior wall is often a messy job.Once the plaster is dry, remember to sand the surface to flatten the wall and then dust it off. Repairing the wall: if the exterior wall you’re working on has cracks or holes, you will have to fill them with an exterior coating or quick-setting cement.You will also need to scrub away any traces of mould or fungus. To do this, use a wire brush over the entire surface. ![]() Stripping: if the old paint on the exterior wall is crumbling, it will be necessary to remove it completely.Cleaning the wall: ideally using a high-pressure cleaner, unless the wall is friable.The preparation will necessarily go through the following steps: The surface must be clean, flat and smooth to ensure the total adhesion of your exterior paint. Painting an exterior wall requires first and foremost that you actively prepare the wall. Here is our step-by-step method for a flawless exterior paint: Once you know which exterior paint you’re going to work with, it’s time to follow a rigorous method to make sure to paint these exterior walls successfully. The right method to paint an exterior wall ![]()
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